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	<title>Bram Van Beek</title>
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	<description>Bram Van Beek</description>
	<pubDate>Tue, 20 Oct 2020 20:45:10 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
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		<title>About</title>
				
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	Bram Van Beek (b. 1992) is a writer, researcher, editor, and lecturer in film, photography and media studies. He earned his PhD from the University of Antwerp, where he currently teaches, and has also taught courses at Luca School of Arts and Vrije Universiteit Brussel. His doctoral dissertation focused on the articulation of national and transnational identities in contemporary Belgian cinema. Other research interests include: The everyday in Belgian cinema from the 1970s, the question of rhythm and duration in postmodern dance and the articulation of space and place in photographic practices. He holds a BA in philosophy from Paris-Sorbonne University, an MA in philosophy from the Catholic University of Leuven, and an MA in film and photographic studies from Leiden University. In addition to his academic work, he is an editor for Sabzian and an editor-at-large for Trigger. Van Beek has published in various journals and magazines, both online and offline, including H Art, EXTRA, Sabzian, and French Screen Studies.


	
	
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		<title>Publications</title>
				
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		<pubDate>Tue, 20 Oct 2020 20:45:09 +0000</pubDate>

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Academic research
  Van Beek, B. (2025). Different Ways of Being No One: Cosmopolitanisms in Manu Riche’s Problemski Hotel (2015). In M. del M. Azcona, P. Gómez-Muñoz, &#38;amp; J. Echeverría (Eds.), Cosmopolitan Aspirations in Contemporary Cinema. Routledge

Van Beek, B. (2024). Beyond the split: Re-imagining ‘Belgitude’ in contemporary Belgian cinema. French Screen Studies, 24(2), 135–153. https://doi.org/10.1080/26438941.2023.2240610&#38;nbsp;

 
 Van Beek, B., &#38;amp; Willems, G. (2022). Intranational film industries: A quantitative analysis of contemporary Belgian cinema. French Screen Studies, 22(4), 304–325. https://doi.org/10.1080/26438941.2021.2005343
  

 

				
			
		
	

Contributions to magazines and books“Prisma #57: Jeunes mères,” Sabzian, 2025.

“Een autofilm zonder auto’s: Geore Millers Furiosa: A Mad Max Saga (2024),” Sabzian 2024.
“February 26, 2024 Right Now, Wrong Then (Hong Sang-soo, 2015),” Sabzian, 2024&#38;nbsp;

“A Belgian Miracle, Lukas Dhont’s Close,” Sabzian, 2023.

“Een Communautair mirakel, Lukas Dhonts Close,” Sabzian, 2023.“Ruben Östlund’s Triangle of Sadness, a Post-Ideological Mire,” Sabzian, 2023.“Ruben Östlunds Triangle of Sadness, een postideologische modderpoel” Sabzian, 2023.

Gerard-Jan Claes, Bram Van Beek, “Report from Bologna: About Il Cinema Ritrovato 2022,” Sabzian, 2022.

“Bertrand Cavalier: Space Between Us,” Nos années de solitude: Biennale d’Architecture d’Orléans, eds. Abdelkader Damani, Luca Galofaro. Dijon: Les Presses du Réel, Frac Centre-Val de Loire, 2019, pp. 170-171.

					
“50 jaar Arles: de fotografiehoofdstad van de wereld,” H ART, (194), 2019, pp. 20-23.
“East/West, Harry Gruyaert,” Photobook Belge, 1854-Now, ed. Tamara Berghmans. 

					Antwerp: Hannibal, 2019, p. 239.

					
“Façades &#38;amp; Vitrines, Stephan Vanfleteren,” Photobook Belge, 1854-Now, ed. Tamara Berghmans, 2019
Antwerp: Hannibal, 2019, p. 190.

					
“Portret 1989-2009, Stephan Vanfleteren,” Photobook Belge, 1854-Now, ed. Tamara Berghmans, Antwerp: Hannibal, 2019, p. 294.

					
“Spomenik, Jan Kempenaers,” Photobook Belge, 1854-Now, ed. Tamara Berghmans. Antwerp: Hannibal, 2019, p. 295.

					
“Denken in Beelden: Luigi Ghirri over visuele vervuiling,” Extra: Elitair, (24), Amsterdam: fw:Books, 2018, pp. 29-44.

					
“Recognized/Not Recognized: Wat beweging ons leert over stilstand,” Extra: Praktijk, (21), Amsterdam: fw:Books, 2017, pp. 13-22.

Talks and conferences
Several film introductions at CINEMATEK, RITCS, KASKCinema and Beursschouwburg

“Belgitude in Contemporary Belgian Cinema” guest lecture DocNomads at Luca School of Arts, 2024


	
		
		
	
	
		
			
				
					
						Introduction to De man die zijn haar kort liet knippen by André Delvaux for Sabzian at Kaskcinema, Ghent, 2022.

Introduction to shortfilms by Cecilia Mangini for Sabzian at Beursschouwburg, Brussels, 2022.

“Beyond the split: Reimagining ‘Belgitude’ in Contemporary Belgian Cinema,” ASEN conference 2022: Nationalism and Media.

“Beyond the Split: Belgian Identity in Contemporary Belgian Cinema,” NECS conference 2022, Bucharest.

“Stuart Hall and Representation,” guest lecture at KdG hogeschool, 2022.

Master Preview MA photography at KASK School of Arts, 2021.

“The Ambivalence of cosmopolitanism in Problemski Hotel (2015),” Conference: Cosmopolitan Aspirations in English-speaking Cinema and Television, 26th annual Sercia conference, Zaragoza, 2021.
“National Film Industries in Belgium: a quantitative approach,” NECS conference 2021, Palermo.


				
			
		
	
“Fotografie in beweging,”guest lecture BA photography at LUCA School of Arts, 2019.
“Schrijven over kijken,” guest lecture BA photography at LUCA School of Arts, 2018.


				
			
		
	
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		<title>Contact</title>
				
		<link>https://bramvanbeek.be/Contact</link>

		<pubDate>Tue, 20 Oct 2020 20:45:10 +0000</pubDate>

		<dc:creator>Bram Van Beek</dc:creator>

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